My hermitage model is shown on the existing 001 Building. It is done at a scale of 1:20. The threshold is shown on the model. The different sections of the hermitage can be clearly seen and how the hermitage could be inhabited.
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Showing posts with label Paper. Show all posts
Showing posts with label Paper. Show all posts
I have explored different possibilities for my hermitage design using my my descriptive geometry models in different arrangements.
This final arrangement is the one I will go forth with and explore further.
This model has been created from my descriptive geometry models. It is designed to have a shelter like structure which could influence my following hermitage.
These descriptive geometry models have been made from plaster, paper and wood. I will used these models to create my recombination model and influence my hermitage.
Plaster:
Paper:
Wood:
Combined:
I have revised and improved my contour site model and mass and void. The hole in my contour site model now has a defined depth. It is still a deep hole that sinks into the landscape. The mass and void has now been inspired from my paper model. It better represents the curvaceous form of my original ink blot and contour drawing. It blends in and is harmonious with the contour site model.
I have experimented using different folding techniques to create forms out of paper.
These 3 x 10 section drawings are of my paper, wood and wire models. The section cuts are at equal intervals through the model. The sections show the cut and all the remaining model left behind them.
Paper Model Sections
Wood Model Sections
Wire Model Sections
Combining the models shows how their shadows and forms relate and can affect each other. They all relate back to the cube acetate model.
This is my favourite image of this project. I got inspiration for these models from the interior spaces of my earlier cube acetate model. I think that the models I made clearly show their relation to my contours. The models show how the interior spaces of the acetate model connect to one another and create spaces that could be occupied. I found the wooden model the most difficult to construct to represent my contours. This was because my contours were mostly curvaceous and symmetrical. To overcome this problem I used the pieces of wood to show how enclosed circles of contours connect to one another through interior spaces of the acetate model. With my paper, wood and wire models I tried to keep them all to a similar size of my acetate model to ensure they properly represented it and related back to it.
My final paper model clearly relates back to my curvaceous ink blot and contour drawing. The pieces of paper show how contours can connect and create interior spaces.
